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    • ARRI / ZEISS 35mm Master Anamorphic T1.9
    • ARRI / ZEISS 50mm Master Anamorphic T1.9
    • ARRI / ZEISS 75mm Master Anamorphic T1.9
    • ARRI / ZEISS 100mm Master Anamorphic T1.9


    The Master Anamorphic lenses are the first anamorphic primes to have been designed for modern 35-format digital cameras, and complement cameras equipped with a 4:3 sensor, such as the Alexa.

    FEATURES:

    • Super color matched to other ARRI/Zeiss primes and ARRI/Fujinon zooms
    • Optimized Anamorphic bokeh: evenly illuminated oval out-of-focus highlights, newly developed iris with 15 aperture blades
    • Pleasant out-of-focus areas with traditional Anamorphic look and a unique image language
    • Revolutionary new optical technology in Anamorphic lenses:    - Virtually no image breathing - No Anamorphic mumps (fat face effect) •
    • The first Anamorphic lenses to be designed for modern digital cameras, but also work with analog film cameras
    • Completely new focusing mechanism that overcomes time-consuming mechanical readjustments on the set
    • Near telecentric optical design, which reduces color fringing and shading at the image corners
    • ARRI Lens Data System (LDS) for lens metadata
    • Compact form factor: front diameter 95 mm,  maximum weight approx. 3 kg, very high T-stop of 1.9 for all 7 focal lengths
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    • ARRI / ZEISS 18mm Master Prime T1.3
    • ARRI / ZEISS 25mm Master Prime T1.3
    • ARRI / ZEISS 35mm Master  Prime T1.3 
    • ARRI / ZEISS 50mm Master Prime T1.3
    • ARRI / ZEISS 75mm Master  Prime T1.3
    • ARRI / ZEISS 100mm  Master Prime T1.3


    Breathtaking

    The Master Primes finally realized a cinematographer's dream; lenses that are both fast and have an optical performance surpassing that of all standard speed primes. The Master Primes open up new creative opportunities, making shots possible that would have been considered impossible before.

    • 16 high speed prime lenses (T1.3)
    • 12 - 150mm
    • Higher resolution & contrast
    • No geometric distortion
    • Dramatically reduced flare
    • Virtually no breathing
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    • ARRI  14mm Ultra Prime T1.9
    • ARRI  20mm Ultra Prime T1.9
    • ARRI  28mm Ultra  Prime T1.9 
    • ARRI  40mm Ultra Prime T1.9
    • ARRI  65mm Ultra  Prime T1.9
    • ARRI  100mm  Ultra Prime T1.9 


    Ultra Prime Lenses have the widest focal range of any prime lens set available to cover every cinematic need: from the unique Ultra Prime 8R extreme wide angle lens to the best telephoto lens designed specifically for motion pictures, the Ultra Prime 180 mm, giving you the flexibility to get the coverage you want.

    Ultra Prime Lenses retain their excellent image quality even at close focus across the whole Super 35 frame. The Ultra Prime Lenses are lightweight standard speed lenses that are a perfect optical match to the high speed Master Prime Lenses.


    Main Features

    • 15 modern high performance prime lenses (T.1.9)
    • Widest focal length range: 8 - 180 mm
    • Ultra Prime 8R – extreme wide angle lens
    • Ultra Prime 180 the best cinema telephoto prime
    • Superior close focus ability
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    • ARRI  16mm Ultra Prime T1.9
    • ARRI  24mm Ultra Prime T1.9
    • ARRI  32mm Ultra  Prime T1.9 
    • ARRI  50mm Ultra Prime T1.9
    • ARRI  85mm Ultra  Prime T1.9
    • ARRI  135mm  Ultra Prime T1.9 


    Ultra Prime Lenses have the widest focal range of any prime lens set available to cover every cinematic need: from the unique Ultra Prime 8R extreme wide angle lens to the best telephoto lens designed specifically for motion pictures, the Ultra Prime 180 mm, giving you the flexibility to get the coverage you want.

    Ultra Prime Lenses retain their excellent image quality even at close focus across the whole Super 35 frame. The Ultra Prime Lenses are lightweight standard speed lenses that are a perfect optical match to the high speed Master Prime Lenses.


    Main Features

    • 15 modern high performance prime lenses (T.1.9)
    • Widest focal length range: 8 - 180 mm
    • Ultra Prime 8R – extreme wide angle lens
    • Ultra Prime 180 the best cinema telephoto prime
    • Superior close focus ability
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    • ULTRA PRIME LENSE T2.1/10

    Ultra Prime lenses have the widest focal range of prime lenses giving you the flexibility to get the coverage you want. The Ultra Prime lenses are lightweight standard speed lenses that are a perfect optical match to the high speed Master Prime lenses. They have been developed in a cooperation of ARRI and Carl Zeiss.

    • Well controlled distortion and breathing
    • Superior close focus ability
    • Floating elements design
    • Easy-to-read calibrated scales
    • Uniform diameters
    • Particularly robust and easy to service
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    The Cooke Panchro Cinema PL Mount Lens Set include 5 lenses that sport hand-fitted construction and classic Panchro optics that have been enjoyed by Hollywood filmmakers since the early 20th century. They are color-matched to intercut with one another lenses and feature linear irises, cam-style focus, and /i Technology communication with the camera. They are ideal for PL mount Super 35 sensor cameras for narrative and documentary work. This lens includes the following:

    • Cooke Panchro 18mm PL Mount Lens
    • Cooke Panchro 25mm PL Mount Lens
    • Cooke Panchro 32mm PL Mount Lens
    • Cooke Panchro 50mm PL Mount Lens
    • Cooke Panchro 75mm PL Mount Lens
    • Cooke Panchro 100mm PL Mount Lens
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    • ALURA ZOOM LENSE T2.6/18-80

    ARRI and FUJINON have joined their extensive expertise to create a completely new family of modern cine zooms. Using the latest in optical design technology and innovative manufacturing techniques, the ARRI Alura Zooms combine the highest optical performance with an amazingly small size, weight and price. They are available as Studio zooms for use on a tripod or crane with a wider focal range, or as lightweight zooms which are significantly smaller and lighter in exchange for a reduced focal range.

    All Alura Zooms' color characteristics, as well as their handling, are matched to existing prime lenses in ARRI's outstanding repertoire

    Main Features

      • Matched Zooms
        • Matched wide and long PL mount zooms for an efficient shooting pace
        • Small size and low weight for quick and easy handling on the set
      • Fast and Steady
        • T2.6
        • Consistent aperture over entire zoom range
      • OutstandingOptical Performance
        • High resolution, high contrast
        • Even field illumination
        • Minimized ghost, flares and veiling glare due to FUJINON multi-layer EBC coating
        • Greatly reduced chromatic aberration through the use of extraordinary dispersion glass
        • Minimized breathing, especially at the wide end where it counts 9 iris leaves for round, out-of-focus highlights and a pleasing, organic bokeh
        • Optimized for ALEXA 2K 16:9 image format, covers up to DIN Super 35 4:3
      • Consistent Optical Performance
        • Consistent contrast, resolution and field illumination across the whole focus and zoom range
        • Film Style Ergonomics
        • Compatible with film and digital ARRI cameras and accessories
        • Robust construction Large, easy-to-read precision focus scales on both sides
        • Matched to existing prime lenses
      • Easy Servicing
        • Feet/meter focus scales can be exchanged
        • Front and rear elements can be exchanged
        • Zoom centering mechanism
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    • ALURA ZOOM LENSE T2.6/24-240

    ARRI and FUJINON have joined their extensive expertise to create a completely new family of modern cine zooms. Using the latest in optical design technology and innovative manufacturing techniques, the ARRI Alura Zooms combine the highest optical performance with an amazingly small size, weight and price. They are available as Studio zooms for use on a tripod or crane with a wider focal range, or as lightweight zooms which are significantly smaller and lighter in exchange for a reduced focal range.

    All Alura Zooms' color characteristics, as well as their handling, are matched to existing prime lenses in ARRI's outstanding repertoire

    Main Features

      • Matched Zooms
        • Matched wide and long PL mount zooms for an efficient shooting pace
        • Small size and low weight for quick and easy handling on the set
      • Fast and Steady
        • T2.6
        • Consistent aperture over entire zoom range
      • OutstandingOptical Performance
        • High resolution, high contrast
        • Even field illumination
        • Minimized ghost, flares and veiling glare due to FUJINON multi-layer EBC coating
        • Greatly reduced chromatic aberration through the use of extraordinary dispersion glass
        • Minimized breathing, especially at the wide end where it counts 9 iris leaves for round, out-of-focus highlights and a pleasing, organic bokeh
        • Optimized for ALEXA 2K 16:9 image format, covers up to DIN Super 35 4:3
      • Consistent Optical Performance
        • Consistent contrast, resolution and field illumination across the whole focus and zoom range
        • Film Style Ergonomics
        • Compatible with film and digital ARRI cameras and accessories
        • Robust construction Large, easy-to-read precision focus scales on both sides
        • Matched to existing prime lenses
      • Easy Servicing
        • Feet/meter focus scales can be exchanged
        • Front and rear elements can be exchanged
        • Zoom centering mechanism
    Show Description
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    Added to Cart

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