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    Camera type - 35 format film-style digital camera with lightweight and compact carbon body, 4:3/16:9 switchable active sensor area, support for ARRI MVF-1 viewfinder, built-in remote control capabilities via ARRI Electronic Control System and Wi-Fi, support for cforce motors, built-in motorized ND filters, interchangable lens mounts and ARRI Lens Data System

    Deimensions

      • Length: 185 mm/7.3"
      • Width: 125 mm/4.9"
      • Height: 140 mm/5.5"
      • (camera body with PL lens mount)

    Weight: 2.3 kg/5 lbs (camera body with titanium PL lens mount)

    Sensor: 35 mm format ARRI ALEV III CMOS with Bayer pattern color filter array

    Photo sites (with surround view):

      • 16:9 ProRes HD 2880x162016:9 ProRes 2K 2867x1613
      • 16:9 ProRes 3.2K 3200x1800
      • 16:9 ProRes 4K UHD 3200x1800
      • 4:3 ProRes 2.8K 2880x2160 *
      • 6:5 ProRes De-squeezed to 2K 2560x2145 *
      • 8:9 ProRes De-squeezed to HD 1920x2160 *
      • 16:9 ARRIRAW 2.8K 2880x2160 *
      • Open Gate ARRIRAW 3.4K 3414x2198 *s

    Shutter:Electronic shutter, 5.0° to 356.0°

    Exposure latitude: 14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1)

    Exposure index:EI 800 base sensitivity

    Filters:Built-in motorized ND filters 0.6, 1.2, 2.1

    Lens mounts:Titanium PL mount with L-Bus connector and LDS

    Recording media:CFast 2.0 memory cards

    Recording formats:

    • 16:9 ProRes HD (1920 x 1080)
    • 16:9 ProRes 2K (2048 x 1152)
    • 16:9 ProRes 3.2K (3200 x 1800)
    • 16:9 ProRes 4K UHD (3840 x 2160)
    • 4:3 ProRes 2.8K (2880 x 2160) *
    • 6:5 ProRes De-squeezed to 2K (2048 x 858) *
    • 8:9 ProRes De-squeezed to HD (1920 x 1080) *
    • 16:9 ARRIRAW 2.8K (2880 x 1620) *
    • Open Gate ARRIRAW 3.4K (3414 x 2198) *
    • (The pixel count in brackets shows the number of pixels in the recorded file.)
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    If you’re looking for a camera rental that can handle highlights and shadows similar to film, then renting the Arri Alexa is the way to go.

    The Arri Alexa camera was designed to marry the worlds of film and digital acquisition and truly deserves to be called a digital cinema camera. ARRI has over 100 years of experience making high quality lenses, accessories and camera bodies and has used all of that expertise to deliver a camera system that combines the ruggedness and reliability of 35mm film camera bodies with the ease of use and practicality of a digital workflow. Most importantly, the camera delivers stunning film-like images due to a massive dynamic range that is tweaked to deliver natural highlight roll-offs and crisp blacks.

    Under the hood, the camera boasts a 3.5K sensor capable of sending 12bit Arriraw to an external recorder or 1920x1080 ProRes to SXS cards. This flexibility in workflows means the camera can be used on the biggest of features or the smallest of webisodes with a workflow that makes sense for either type of project. The camera also has a native ISO of 800, making it great in low light and adding even more to the practicality factor.

    The Alexa is not perfect by any means; one major drawback is the lack of high speed recording in the base package, something taken for granted with film cameras. Another consideration is that the ALEXA is essentially a 2K camera. With that in mind, for effects work or keying you might be better off renting another camera.

    That said, this is one of the most requested cameras we offer here at Stray Angel for rent. It’s the kind of camera you can put some nice glass on, point in the right direction and get a great image every time and we think that’s a huge reason it’s been such a hit for ARRI.

    The Codex ARRIRAW Onboard recorder is a compact, lightweight and affordable solution that sets the standard for file-based workflows. ARRIRAW provides the best quality digital camera originals for motion pictures and high-end television drama and commercials.





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    The Arri Alexa camera was designed to marry the worlds of film and digital acquisition and truly deserves to be called a digital cinema camera. ARRI has over 100 years of experience making high quality lenses, accessories and camera bodies and has used all of that expertise to deliver a camera system that combines the ruggedness and reliability of 35mm film camera bodies with the ease of use and practicality of a digital workflow. Most importantly, the camera delivers stunning film-like images due to a massive dynamic range that is tweaked to deliver natural highlight roll-offs and crisp blacks.

    Under the hood, the camera boasts a 3.5K sensor capable of sending 12bit Arriraw to an external recorder or 1920x1080 ProRes to SXS cards. This flexibility in workflows means the camera can be used on the biggest of features or the smallest of webisodes with a workflow that makes sense for either type of project. The camera also has a native ISO of 800, making it great in low light and adding even more to the practicality factor.

    The Alexa is not perfect by any means; one major drawback is the lack of high speed recording in the base package, something taken for granted with film cameras. Another consideration is that the ALEXA is essentially a 2K camera. With that in mind, for effects work or keying you might be better off renting another camera.

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    • 3840 x 2160p Global Shutter CMOS Sensor
    • 12 Stops of Dynamic Range
    • 10.1", 1080p Flip-Out LCD Screen
    • Dual 5" Touchscreens for Menu Access
    • Records CinemaDNG RAW and ProRes
    • 12G-SDI Output for 10-Bit 4:2:2 4K
    • 2x XLR Audio Inputs with Phantom Power
    • Aluminum Frame with 3/8"-16 Mounting
    • LANC Port for START/STOP, Iris, Focus
    • Dual CFast 2.0 Card Slots
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    The 4K Blackmagic Production Camera is an EF Mount Ultra HD 4K capable camera.

    After an extra long wait, Blackmagic finally released the 4K Blackmagic Camera and it has not disappointed. From the outside it may not look much different from the original Blackmagic Cinema Camera, but improvements include higher resolution and a global shutter.

    Unbutton your high-waist pants, crack open a PBR, and get ready to geek out because the 4K BMPC has some seriously good specs for the price.

    We’ll start with the 4K Blackmagic’s recording capabilities. This little guy records Ultra HD 4K (3840x2160) and 1080HD in visually lossless compressed CinemaDNG RAW and ProRes 422 (HQ) files. Blackmagic uses a global shutter in this camera so you won’t get rolling shutter artifacts like you would with a CMOS sensor.

    Not only does the Blackmagic 4K Production Camera’s Super 35mm sensor offer impressive resolution, but it also gives you 12 stops of dynamic range. Having this large amount of dynamic range allows the camera to capture more information so you have greater flexibility in post.

    As far as media goes, the 4K BMPC records to standard 2.5” SSDs. While you can playback directly from the camera, it is important to remember that you can not format the cards in camera.

    Our 4K Blackmagic Camera rental includes a cage with power solution, swappable external batteries, and 2 SSDs.

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    The Canon 5D Mark II is a DSLR available for rental at Stray Angel Films.

    The 5D Mark II was the original DSLR that shook up the digital film world. It enabled shooters to use a camera that is low-light sensitive, large depth of field, compact, and budget friendly.

    Canon’s 5D Mark II has a stunning 21.1 megapixel full-frame CMOS sensor with DIGIC 4 Image Processor. The camera also has a vast range of ISO from 100-6400. The camera takes beautiful, high resolution photos as well as 1920x1080 Full HD video.

    If renting a 5D Mark II, you will probably want to add some accessories as the camera was not really designed for video. Check the “Suggested Accessories” section below for things like EVFs and Beachtek Adapters.

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    The OConnor Ultimate 2575D Fluid Head is a fluid head with a Mitchell Ball Base and Tiedown that supports high payload cameras rendering it suitable for cine style shooting.

    Lightweight at 22.6 lb (10.4 kg), the fluid head sustains a heavy payload up to 90 lb (40.8 kg) with greater drag. Conveniently located controls (pan and tilt brakes) at camera operator's side (left side) of the platform enable ease of operation and rapid familiarity. The platform also houses dual scales for counterbalance, and sports 4 handle rosettes that allow left or right hand operation as well as mounting from the front or rear. An intelligently placed, soft handrest enhances the Ultimate 2575D Fluid Head's ergonomic design. You can achieve rapid pan movements owing to the fluid drag system that allows the camera to move from one position to other very quickly and recover without any spring back.

    The Mitchell Ball Base provides for high mobility and is secured in place by the Mitchell Tiedown. A single-touch, Euro-style platform release lever allows you to disengage the safety catch and open the lever effortlessly, providing high mobility to deal with location changes in the field.

    You can achieve sinusoidal counterbalance and stepless pan and tilt drag using the Ultimate 2575D Fluid Head. A collapsible counterbalance crank handle in tandem with a numerical readout allows for easy counterbalancing of the payload. Setting up the camera system in low-light conditions is simple with the illuminated level bubble.

    • Highly ergonomic design based on similar heavy payload units
    • Lightweight at 22.9 lb (10.4 kg) and provides easy maneuverability
    • Sustains heavy payloads up to 90 lb (40.8 kg), thereby allowing a wide payload of cameras to be mounted
    • Convenient controls located on the operator side offer ease of use and familiarity
    • Twin platform scales allow simple and rapid counterbalance adjustments
    • Ergonomically designed comfortable handrest on the left side
    • Achieves rapid pan movements owing to the fluid drag system that allows the camera to move from one position to other very quickly and recover without any spring back
    • Allows high mobility via the Mitchell Ball Base and is secured in place by the Mitchell Tiedown
    • Single-touch platform release lever allows easy unlatching of safety catch and unlocking the lever
    • Offers sinusoidal counterbalance as well as stepless pan and tilt drag
    • Allows easy counterbalance of payload via a collapsible counterbalance crank handle in tandem with a numerical readout
    • Offers easy setup of camera system in low-light conditions via an illuminated level bubble
    • Suited for current styles of cinematography involving light cameras, large lenses, and innovative accessories
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    Material: Aluminum

    Capacity: 309 lbs. (140 kg)

    Weight: 29.3 lbs. (13.3 kg) (with Spreader) 

    Maximum Height: 69.2 in. (175.8 cm)

    Minimum Height: 33.6 in. (85.3 cm)

    Top Casting: Mitchell

    Collapsed Length: 40.4 in. (103 cm)

    Collapsed Width: 11.1 in. (28.2 cm)

    Spreader (OC-C1222-0015) sold separately

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    The MB-28 is available with a three-filter stage and a swing-away system. Natively designed for 6.6" x 6.6" filters, the MB-28 can be made compatible with all sizes of industry-standard filters.

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    Material: Carbon Fiber

    Capacity: 209 lbs. (95 kg)

    Weight: 8.8 lbs (4 kg)

    Maximum Height: 61.8 in. (157 cm)

    Minimum Height: 22 in. (56 cm)

    Top Casting: 100mm

    Collapsed Length: 29.5 in. (75 cm)

    Includes: Mid-Leg spreader, set of 3 adjustable feet

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    LMB-4a, 6.6"x6.6" lightweight matte box for UP 8mm, UP 10mm, UP 12mm & LDS UP 12mm. (156mm dia.)

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    SPECIFICATIONS:

    Weight: 18.5 lb

    Payload: 309 lb

    Height with spreader: 7.9 - 34.6 in

    Height with mid-level spreader: N/A

    Head fitting: 150mm

    Transport length: 23.6 in


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    The Arri MB14 is the largest production matte box available. It comes with four rotating 6.6x6.6 filter trays with inserts available to allow use of smaller filters. One filter tray ifeatures a rack & pinion system and a control wand (similar to a Focus Whip) that allows for smooth movement of a tray wit hin a filter stage during a shot. The MB14 mounts to either 15mm studio or 19mm studio rods (both mounts included).

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    The SACHLER TRIPOD is ideal for modern camcorders and video-enabled DSLR cameras. The dual extractible aluminium tripod is an affordable alternative to the Sachtler carbon fibre tripods. The tripod legs are locked with screw caps.

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    The LMB-25 is a clamp-on matte box that expands the feature set and creative possibilities of the LMB-15, while retaining the low price tag of an entry-level LMB-5.

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    Atlas Balanced Fluid Head

    The “Atlas” is a completely new design head,with a patented counterbalance system. Capable of taking camera‘s up to 50 Kgs (110 lbs) @ 30 cm (12“) above the heads pivotal centre. Operated by a single control knob, from 0 – 100 %. Incorporating the well proven Ronford-Baker fluid system, with 15 stages of fluid control, on pan & tilt. With a zero (free) position. These give unprecedented smoothness & accuracy of control & balance under all situations.

    • Engineered for quality, strength & durability
    • Quick release camera plate. Adjustable for balance with built in safety stops & scale.
    • Arri dovetail plate also available.
    • Panbars in 3 positions, mounted via ratchet discs with telescopic facility.
    • Smooth positive braking on pan & tilt. ▪ 2 Spirit levels with “Tritium” light source.
    • 150 m/m ball or Mitchell / Moy fitting.
    • Tilt 180 Degrees
    • Adjustable 360 Deg. pan scale.
    • Front box mount.
    • Eyepiece levelling bracket incorporated in carrying handles.
    • Fully guaranteed.
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    SPECIFICATIONS

    Minimum Height: 3 ft.

    Maximum Height: 5' 6"

    Weight: 22 lbs

    Spreader NOT included

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    • Supports Analog HD/SD Video
    • Transvideo's Proprietary Processor
    • RealFrameRate Processing
    • SuperBright Technology
    • Multiple Switchable Aspect Ratios
    • Built-in Tally Light
    • Waveform / Vector / Histogram Scopes
    • H&V Flip Auto Reverse
    • Latency - <1 Frame
    • Supports Zooming
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    • 5.6" 1280 x 800 3G-SDI & HDMI Monitor
    • Waveform/Vectorscope
    • 300 Nit Brightness/500:1 Contrast Ratio
    • 170° Viewing Angle
    • Monochrome and Color Peaking
    • False Color with Luminance Warnings
    • 1:1 Movable Pixel-to-Pixel
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    • MARSHALL ELECTRONICS 17" SDI DIRECTOR`S MONITOR
    • APPLE MAC BOOK PRO 17’’ /i7/2.3g/8GB/SSD 500GB/ 2011

    • BLACKMAGIC DESIGN ULTRASTUDIO 3D
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    • MARSHALL ELECTRONICS 17" SDI DIRECTOR`S MONITOR 
    • APPLE MAC BOOK PRO 17’’ /i7/2.3g/8GB/SSD 500GB/ 2011

    • AJA IO XT PROFESSIONAL CAPTURE & PLAYBACK DEVICE
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    The Cube 555 includes all the features of the original Cube such as a compact aluminum chassis and comprehensive transport protocol support like RTP/RTSP/RTMP/MPEG-TS. The OLED display enables users to rapidly change and review the settings of their unit in addition to providing real-time feedback for filenames, recording status, and wireless connectivity. No longer are computers or iPads needed for configuration; every feature is a simple click away. 

    The built-in Li-ion battery gives users up to 90 minutes of runtime, which allows for seamless battery swapping or quick broadcasts. The battery can also be charged from an AC adapter or even a suitable external battery such as an Anton Bauer. The new MIMO access point feature improves wireless performance and enables special features such as wireless camera control for devices without a Wi-Fi capability built in, and ensures improved connectivity from an iPad or Android tablets. Also, a headphone output is integrated for immediate audio monitoring. 

    The micro SD slot enables Cube to save on-board proxy recordings in real time. The recorded files (.mov or .mp4) are automatically synced with your proxy server over Wi-Fi or cellular connections. It supports nearly every streaming platform on the Web, including Ustream, Justin.tv, Livestream, Youtube Live, and many others.

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    The Teradek Bolt Pro -734 Multicast Wireless Transmission System is a latency-free wireless transmission system that sends 4:2:2, 1080p60 video at up to 300ft. This Bolt Pro system comes in a set of 1 transmitter and 4 receivers. The transmitter features a loop through SD/HD/3G-SDI output, so you can transmit video, and send the output from the camera to a monitor or deck. The transmitter features an internal battery, that can run the unit for up to 60 minutes, and it features 4-LED indicator lights that indicate battery level.

    The Bolt Pro system is suitable for exterior and interior shoots, and it features Dynamic Frequency Selection that allows it adjust the frequency bands it is using in real time to avoid interference. This Bolt Pro comes with 4 receivers that feature 2 x SD/HD/3G-SDI outputs, however it can also transmit to a Bolt receiver that features an HDMI output, allowing you to take SDI in, transmit, and output via HDMI or SDI depending on the type of receiver you are using. You can also mix and match SDI & HDMI receiver units, up to a total of 4.


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    Wide Camera/Lens Compatibility

    The Auto Configuration feature means the Ronin can adapt to a range of camera sizes from lightweight mirrorless models up to cinema cameras. It is suitable for payloads up to 16 pounds.


    SmoothTrack Control

    SmoothTrack gives a single gimbal operator the ability to translate their tilt and pan movements of the gimbal into smooth and stabilized movements of the camera's angle. This is designed to make framing of broad wide-angle scenes or even shooting in close quarters much easier during single gimbal operator use.


    Auto Configuration

    After balancing the camera with a simple tap of the ATS (Auto Tune Stability) button, Ronin will be automatically tuned for the mass and weight distribution of your camera rig. The gimbal will intelligently adjust parameters based on the camera rig's weight and independently adjust each of the three axes until an optimal setting is found.


    Three Operation Modes

    Upright Operation Mode

    Upright Mode allows the gimbal to be flipped over so the camera can be operated closer to eye level without straining to lift the gimbal. This can be used in various situations, such mounting on the top of the vehicle.


    Underslung (Suspended) Operation Mode

    Suspended Operation Mode is the standard operation mode for Ronin. Low slung, close to the ground, or simply holding the gimbal in front of you offers stabilized handheld footage. This mode would also be used when mounted the gimbal on a flying platform such as a multirotor RC helicopter.


    Briefcase Mode

    When a slimmer gimbal profile is needed - such as when moving through doorways or narrow paths - Briefcase Mode is ideal. It allows the gimbal to be held to the side and close to the legs, much like a briefcase.


    Second Operator Control

    A second operator transmitter (radio controller) is included with the package. Featuring the form factor of an RC aircraft radio controller, the 2.4 GHz Ronin transmitter provides pan and tilt control as well user-assignable speed settings and operation modes via two toggle switches. If you would rather use a third-party transmitter a D-bus port is provided.


    Optional Joystick Pan/Tilt

    Single thumb control is possible for the Ronin Handheld Gimbal System. These Pan and Tilt movements are controlled via the optional joystick attachment, available separately. Additionally, SmoothTrack Mode can be turned on or off using the joystick interface.


    Assistant Software for Mobile and Windows

    A mobile device or computer to run the Assistant Software is essential. It is available for select iOS mobile devices and Windows computers. With the software you can:

    • Auto Configure the rig based on the weight and weight distribution of your camera after you've balanced it
    • Adjust Smoothtrack tuning to user preference
    • Enable and configure Second Operator Control
    • Run diagnostics and generate stats
    • Install firmware updates


    Tool-Free Adjustment

    A built-in balance adjustment system means no tools are needed for setup and adjustment, saving time when changing the setup for different camera arrangements.


    Accessory Mounting

    Dual 15mm (LWS) rods are incorporated for adding follow focuses or matte boxes. Meanwhile top bar accessory mounts let you attach field monitors, lights, microphones, recorders, and other "camera-mounted" accessories.


    Quick Release Smart Battery

    Providing an estimated 4 hours of run time (depending on use), the proprietary Ronin battery system is designed for easy changes in the field and charges using a dedicated charger that is included. The batteries feature indicators so remaining power can be checked directly on the battery itself. Unlike may lithium-polymer batteries, with the Ronin Smart Battery, overcharge and over depletion protection is built-in, as is individual battery cell charge balancing.


    Power Distribution Box

    Two regulated 12V DC PowerTaps, one 500mAh type A female USB connector, and also a connection point for the DJI Lightbridge Long Range HD Video Downlink are provided. These provide power connection for various accessories, including motorized follow focus systems, video transmitters, and more - all while keeping the wiring to a minimum.


    Quick Release Top Handle

    Designed to save time breaking the system down or transporting it between locations.

    Protective Carrying Case Included

    A watertight, hardshell case with wheels is included for transporting and storing the Ronin. The case features a custom-fitted foam interior with spaces for the disassembled Ronin, transmitter, and two batteries with room leftover for sundry accessories.


    Based on Zenmuse Technology

    The Ronin adapts the same brushless motor technology used in DJI's aerial gimbals for handheld, terrestrial use.

    Aircraft-Grade Aluminum Construction

    Built with taxing professional shoots in mind, the Ronin is designed for durability and features integrated cable management to avoid cable ties or loops that can get snagged.

    Digital Absolute Positioning Encoders

    Implemented at each axis, these help the Ronin achieve a control accuracy of ±0.02%.


    Compatible Accessories

    • Wireless Thumb Controller for Ronin (Note: The Wireless Thumb Controller for Ronin-M is not compatible)
    • Ronin Battery (3400mAh) (Note: The Ronin-M battery is not compatible)
    • Ronin Battery Charger
    • Ronin Remote Controller
    • B Arm Kit for Ronin (50 and 80mm)
    • Ronin HG900 Counter-Weight Set
    • Ronin Dual 15mm Rod Support
    • Ronin Monitor Mounting Bracket A
    • Ronin Universal Mount
    • Ronin Universal Camera Plate
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    The RUNNER is the ultimate support system for 3-Axis Gimbal Stabilizers such as the Tilta Gravity, DJI Ronin, Freefly MoVI and any other gimbal with a dual hand grip design. An upgrade to the original Armor-Man, the Armor-Man 2 has been improved with smart new features to meet the needs of today's camera operating professionals. 


    · Compatible with Tilta Gravity, DJI Ronin, Freefly Movi and various other gimbal systems 

    · Quick release dual spring arms with adjustable tension control 

    · Swivel down spring arms can be clipped along your waist for resting between takes 

    · Adjustable vest for a comfortable custom fit 

    · V-Lock battery plate with 4-Pin Lemo power socket 

    · Swivel hand grip support for arms free control and mobility 

    · Packed in a traveling hard case with a custom protective foam insert 


    Ultimate Gimbal Support 

    The Armor-Man 2 is designed to work with leading 3-axis gimbal stabilizers such as the Tilta Gravity, DJI Ronin and the Freefly MoVI. The Armor-Man 2 is capable of supporting a wide range of gimbal camera set ups. 


    Quick Release Arms 

    With an innovated quick-release system each support armis quickly snapped into the support vest. Each arm features two spring loaded support sections. The tension of each spring section can be adjusted through knobs located along each joint. When not in use, each arm can be swiveled down into resting position. Simply by pulling on the release cord and locking each arm into place along the hips of the operator. 


    Swivel Hand Grip Support 

    Adjustable swivel hand grip supports are located at the end of each arm. Each gimbal hand grip rests inside the support allowing the operator to keep their arms free for any hands on camera adjustments. They also provide support without limiting the operator's range of movement. 


    Integrated Battery Plate 

    The vest comes standard with a V-Mount battery plate, with a 4-Pin female Lemo power connection socket. Through here the operator can run power directly to the gimbal through the right support arm with features several cable clamps. The Armor-Man 2 is also available in Gold mount through special order. 


    Custom Cut Foam Hard Case 

    The Armor-Man 2 comes protected inside a custom cut weatherproof travel hard case with a retractable handle, a pair of wheels and 4 quick-release latches.

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    Three Axes - All Inclusive
    The Wireless Compact Unit WCU-4 combines three axis of lens control with a lens data display in a compact and ergonomic housing. Weighing around 780 grams including battery, it’s one of the lightest hand units in its class, providing unrivaled comfort during a long working day.

     

    Vibrating Markers and Alerts
    Tactile vibrating feedback lets you keep your eye on the action in the most challenging situations. Operators can concentrate on the scene, knowing that the hand unit will vibrate to prompt them when markers are reached or when a camera alert occurs, such as for a nearly full recording media or low battery voltage.

     

    Backlit Focus Knob
    The new, super-smooth focus knob contains an integrated light source that shines through the wide, optionally pre-marked focus ring in low light conditions, thus providing clearly readable focus marks at all times. The friction of the focus knob can be easily adjusted to one’s personal preference without any tools. 

     

    Easy-to-Read Lens Data Display 
    Clearly arranged, easy-to-read lens and camera information is available on the large 3” display, along with data from optional ultrasonic distance measurement devices. The transflective display technology ensures perfect readability in all ambient lighting conditions. This feature will be available with ALEXA SUP 8.0 onwards.

     

    Pre-Marked Focus Rings 
    Lens settings can be mapped to a set of high quality pre-marked focus rings in metric or imperial scale. This feature will be available with ALEXA SUP 8.0 onwards.

     

    Personalized Settings
    Various parameters of the WCU-4 can be set up to one’s personal preference. These include the display arrangement, vibration patterns and programmable user button, to name just a few. You can save your preferred settings on an SD card, enabling you to immediately personalize any WCU-4, anywhere in the world. 

     

    Exceptional Quality and Service
    The WCU-4 is completely splash-proof and embodies the reliability and durability for which ARRI is famous. Wear and tear parts are replaceable at rental level, and the worldwide ARRI Service network ensures rapid second level support if needed. New firmware versions can be installed to the unit via SD card within seconds. 

     

    Optional ALEXA Camera Control
    An optional software license will enable you to remote control all ALEXA Plus type cameras. This includes setting frame rate, shutter angle, exposure index, false color on the monitor output, and more. Extended camera status information is also available, allowing you to quickly check your camera settings at any time.

     

    Directly compatible to

    • ARRI ALEXA Plus
    • ARRI ALEXA XT Plus
    • ARRI ALEXA Plus 4:3
    • ARRI ALEXA Studio
    • ARRI ALEXA XT Studio
    • ARRI ALEXA HD Plus
    • ARRICAM, ARRI 416PLUS, ARRI 435 Extreme equipped with white radio (basic functionality)
    • ARRI UMC-3A with white coded radio modem (basic functionality)
    • ARRI WZE-3 with white coded radio modem
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    COMPACT LCS

    compact LCS offers affordable quality, functionality and reliability. Ready-to-use 1 motor sets are available with either a cforce mini or cforce plus motor but can be upgraded to a 2 or 3 motor system easily at any time.


    Precise control for up to 3 motors is made possible in both wireless and cabled configurations through the ergonomic and easy-to-use hand unit. cforce mini and cforce plus motors provide outstanding performance and can be used in any combination through their smart daisy-chain connectivity.


    The lens handling license software* allows you to create, save and display 'real-time' lens data on the hand unit in a variety of colour themes to suit your shooting environment.


    With a wide selection of power supply cables and optional run/stop control for all of today's popular cameras, compact LCS is the smart choice.

    *cworld is needed to create and transfer lens files to compact LCS. Up to 14 lens files can be saved in the internal memory of the compact LCS hand unit


    NOTE: compact LCS is now available WITHOUT MOTORS - This set is ideal for customers who already own a number cforce basic, cforce mini and cforce plus motors but are looking for the additional flexibility of an additional but affordable system.


    COMPACT LCS SET

    handunit with knob, joystick and rocker switch for three motor control, including one cforce plus motor. Set includes:

    compact handunit with knob, joystick and rocker switch

    lens data license key*

    compact camin

    1 cforce plus motor kit (including butterfly clamp for 19/15mm rods, 0.8mm pitch gear)

    1 LCB-1 cable (motor cable 0.8m)

    1 RRS-7 cable (P-Tap power cable 0.8m)

    cfast rod connector (for 19mm/15mm rods)

    5 marker rings

    2 batteries

    battery charger

    cstrap

    compact travel case


    The compact LCS sets can be upgraded easily to a two or three motor control set by simply purchasing additional cforce mini or cforce plus motors and LCB motor cables. 

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    Manufactured in sleek black metal, this special edition of our ubiquitous studio follow focus
    unit combines a modern look with trusted engineering and a classic design.

    Main Features

    • Follow focus system for use with film and cine-style lenses
    • Gear ratio of 1:2 is appropriate for a wide range of lens barrel sizes
    • Choice of three different focusing knobs (standard, hard stop, 2-speed)
    • Compatible with ARRI lightweight support as a slide-on unit
    • With adapter, compatible with studio rods systems 15 and 19mm
    • Compatible with a wide range of ARRI driver gears and knob accessories
    • ARRI reversing gear set available for use with Nikon and Leica lenses
    • Economical and robust
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    Designed with maximum versatility in mind, the MFF-2 features interchangeable focus knobs and is available in two different bases; A cine style base with a 1:2 ratio, and an ‘HD’ varient which utilizes a 1:1 gear ratio for lenses with a shorter throw (such as HDSLR lenses).

    MFF-2 Cine Standard Set (K0.60148.0) consists of:

    • Mini Follow Focus MFF-2 Cine K2.65255.0
    • Focus Knob Standard left K2.65253.0
    • Focus Gear 0.8/43 teeth K2.47002.0
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    ACD301RF Master Radio Slate


    Due to the increased use of record run timecode when recording sound on DAT recorders, and the need to display this code in front of the camera, Ambient has developed the 'Master Radio Slate'.

    This slate has all the features of the standard Master slate, but has a built-in UHF telemetry receiver and separate, very small transceiver to attach to the timecode source or recorder. Range is typically 50 metres, but in certain circumstances, can be much greater.

    The slate also has a slip-on writing sleeve (280mm wide) which gives the slate a wide screen format, and additional writing space. The sleeve is easily removed for close up shots. A further useful feature is a 'flash on close' option to aid Telecine syncing. 

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